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Iconography --- influence --- landscapes [environments] --- Venetiaanse school --- landscapes [representations] --- anno 1400-1499 --- anno 1500-1599 --- Veneto --- Europe
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Iconography --- Environmental planning --- Sculpture --- Painting --- sculpture [visual works] --- urban planning --- iconography --- easel paintings [paintings by form] --- durability --- pastoral --- landscapes [environments] --- sustainable architecture --- stadstuinen --- anno 1500-1599 --- Venice
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Early modern views of nature and the earth upended the depiction of land. Landscape emerged as a site of artistic exploration at a time when environments and ecologies were reshaped and transformed. This volume historicises the contingency of an ever-changing elemental world, reframing and reimagining landscape as a mediating space in the interplay between the natural and the artificial, the real and the imaginary, the internal and the external. The lens of the 'unruly' reveals the latent landscapes that undergirded their conception, the elemental resources that resurfaced from the bowels of the earth, the staged topographies that unsettled the boundaries between nature and technology, and the fragile ecologies that undermined the status quo of human environs.
Nature in art. --- Landscapes in art. --- Nature --- Paysage --- Dans l'art. --- Art --- landscapes [environments] --- landscapes [representations] --- anno 1500-1799 --- Landscape in art --- Art History, Early Modern, Landscape, Seascape, Nature. --- landschappen. --- natuur. --- planten (in het algemeen). --- 17de eeuw. --- landschappen --- natuur --- planten (in het algemeen) --- middeleeuwse kunst --- renaissance
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Natural hazards punctuate the history of European towns, moulding their shape and identity: this book is devoted to the artistic representation of those calamities, from the late Middle Ages to the 20th century. It contains nine case studies which discuss, among others, the relationship between biblical imagery and the realistic depiction of urban disasters; the religious, political and ritual meanings of “destruction subjects” in early modern painting; the image of fire in Renaissance treatises on architecture; the first photographic campaigns documenting earthquakes’ damages; the role of contemporary art in the elaboration of a cultural memory of urban destructions. Thus, this book intends to address one of the main issues of Western civilization: the relationship of European towns with their own past and its discontinuities. Contributors are Alessandro Del Puppo, Isabella di Lenardo, Marco Folin, Sophie Goetzmann, Emanuela Guidoboni, Philippe Malgouyres, Olga Medvedkova, Fabrizio Nevola, Monica Preti and Tiziana Serena.
cityscapes [representations] --- cities --- Art --- ruined settlements --- Cities and towns in art. --- Disasters in art. --- Cities and towns --- Disasters --- Villes dans l'art --- Catastrophes dans l'art --- Villes --- Catastrophes --- Cities and towns in art --- Disasters in art --- ART / Subjects & Themes / General. --- Cities and towns -- Europe. --- Disasters -- Europe. --- Cities and towns. --- Disasters. --- Europe. --- Art / subjects & themes / general. --- Cities and towns -- europe. --- Disasters -- europe. --- Calamities --- Global cities --- Municipalities --- Towns --- Urban areas --- Urban systems --- Villages in art --- Curiosities and wonders --- Accidents --- Hazardous geographic environments --- Human settlements --- Sociology, Urban --- Iconography --- History of Europe --- art [fine art] --- wars --- iconography --- disasters --- Cities and towns - Europe --- Disasters - Europe --- art [discipline]
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2019 commemorates the 450 anniversary of the death of Pieter Bruegel the Elder. The city of Dilbeek celebrates this with an open-air exhibition with installations by several international artists and designers. The exhibition is a time warp and sets Bruegel against a 21st century backdrop. We follow the gaze of the painter when he was composing his impressive landscape paintings. The chapel of Sint-Anna-Pede and the watermill of Sint-Gertrudis-Pede, two monuments painted by Bruegel, are the starting and ending point for a walk along fifteen installations. Fifteen artists, designers and architects designed a trail through the landscape that inspired Bruegel five centuries ago. They construct pavilions, make structures, design imaginative landscapes and tell stories that interact with places, play with the perception of the space, create new unexpected environments, work disorienting or help to focus attention. Featuring artworks by Rotor, Filip Dujardin, Koen van den Broek, Erik Dhont, KGDVS & Bas Pincen, Bas Smets, Lois Weinberger, Landinzicht, Guillaume Bijl, Gijs Van Vaerenbergh, Futurefarmers, Georges Rousse and Josse De Pauw. Curator of 'De Blik van Bruegel' is Stefan Devoldere, professor and dean of the Faculty of Architecture and Art at Hasselt University. Exhibition: Dilbeek, Belgium (04.07.-31.10.2019).
Princen, Bas --- Rousse, Georges --- Dujardin, Filip --- Pauw, de, Josse --- Gijs Van Vaerenbergh --- Bruegel, Pieter [Elder] --- Dhont, Erik --- Broeck, van den, Koen --- Weinberger, Lois --- Bijl, Guillaume --- Bureau Bas Smets [Brussels] --- Rotor [Brussels] --- Futurefarmers [San Francisco, Calif.] --- Kunst ; 2010 --- -Tentoonstellingen --- Landschappen in de kunst --- Bruegel, Pieter (de oudere) --- Land Art --- Bruegel, Pieter --- 75.07 --- 712.24(493) --- Bruegel, Pieter 1525?-1569 (°Breda? Brueghel?) --- Schilderkunst ; Zuidelijke Nederlanden ; 16de eeuw ; Pieter Bruegel (de Oude) --- Environmental art --- Schilderkunst ; schilders --- Landschaps- en tuinarchitectuur ; cultuurlandschappen ; België --- Exhibitions --- site-specific works --- Installations (Art) --- Landscape painting, Flemish --- Landscapes in art --- Painting --- Bruegel, Pieter, --- Appreciation --- Dilbeek (Belgium) --- Environmental planning --- landscapes [environments] --- landschapsschilderkunst --- Broek, van den, Koen
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